
La Stazione (1990) - directed by Sergio Rubini Starring the beautiful spirited Margherita Buy of Italy
I saw this movie many many years ago now as a late night movie on the national Canadian Television Broadcasting network.
It left a lasting impression on me, however I have not seen it anywhere since. It is controversial, to say the least.
The movie
is about the sweetest, dearest woman in the entire world (Margherita Buy) coming into contact with the wrong men
for her
sort of personality and ways of being.
In the one case, there is her mate who is handling her as physical property that can
be roughed up as a way of giving a sort
of a hug. many abusive men mask their abuse towards women by pretending "they care
so much, they just want to beat it into
them". Such men lack a real human sensibility, and are in fact not aware that they are
not showing any real manhood or any
kind of sane virility. they are in fact a cowardly sort of nuisance and a blight amidst
nicer souls than they are made of in this
respect.
Most Italian men actually venerate women dearly. The position of the "mother
figure" essentially casts Italian society
as matriarchal just from this reality. Men there would die to protect their mothers
without a moments thought. And no, that is
not as universally completely a fact of life to the point of being something that
requires not a moment of thought as there are
differences in mores and strengths of cultural teachings and actual bonds between
human beings everywhere they are. It is though
at some point considered by universal human consciousness as being just a sane
part of what "normal idealism" would have to recognize as altogether legitimate and in fact natural.
As for my own take on the movie,
I want to point out what most people wont -
that the person who is just as much a culprit in the
movie to the point of being in some
fundamental way even more offensive to humane sensibility is the bureaucratic "ticket
clerk' n the movie who steals a kiss he has not
earned and does not deserve. he has not protected a woman in needs of a true man,
a real gentleman, he has instead only gotten himself
excited at the thought that his car might be involved in the mayhem and this
no doubt is his personal property requiring indignation he
has not shown at the moment of truth (when he witnesses the violent out
burst against a gentle soul), and instead only when this other
inane factor becomes a reality to him. as such I put it to you he
is in fact the ultimate of what we call a "cad".
I'm not faulting him
just for lacking physical courage. I do so simply because he appears unemotional and unmoved by what
is "violence towards good women
- the very best of women in fact". The woman in question can only be described as
"an angel" in the truest sense of her spirit as they
don't make them any better than this anywhere on the planet!
Yet there is no shock, horror or indignation at her treatment by the
characters involved. this kind of desensitization is criminally offensive on the part of both and perhaps it is right that this movie
has all but
disappeared. On the other hand it requires a public airing and discussion so all can see what is shown for what it is.
Real barbarism at play by the inane towards those that are the best of gods gift to us all.
In this respect we must all speak out
wherever we see this anywhere in our world.
That said, it pales by comparison to the insanely cruel and brutal beating taken from
a demonic character by Jessica Lange in
"Rob Roy" who after assaulting her in the abdomen area continues his incursions from a
rear attack that is to follow
the prelude. Yet we see this act of incredulous cowardice and bestiality in the presence of an entire
army of men who are unmoved
to act. As such that is to me the ultimate portrayal of what I speak of here. You will find the
insane
actions in La Stazione universally
condemned by mankind. It takes a special genius to see the even more real insanity of such a mindset
much more so depicted in "Rob Roy"
by those indicating they cant tell one victim from another (in describing women versus men
anatomically such as it is, at the opening of
the movie, employing what is gutter language in the use of the word "ass").
What a sad
world it is that we are a part of indeed. discussion can only lead to better open eyes on the matter and more protection
for our own
beautiful lovely dear Margherita (Ms. buy) in this world.
Michael Rizzo Chessman